Micah Clarke - Director of Photograhy

Micah Clarke is a highly skilled Director of Photography with over a decade of experience in film, photography, and digital media. With a deep passion for visual storytelling, he has mastered the art of composition, lighting, and camera movement to create compelling and cinematic imagery.

Over the years, Micah has worked on a wide range of projects, including feature films, commercials, music videos, and branded content. As a DP, he understands the power of visuals in shaping narratives and works closely with directors and production teams to bring their creative visions to life. With expertise in both digital and film formats, he seamlessly adapts to various shooting conditions and styles. In addition to technical skills, Micah possesses a strong understanding of storytelling and how cinematography enhances emotion, tone, and pacing. Every frame is carefully crafted to support the story’s themes, ensuring an immersive visual experience for audiences. As a business owner for five years, Micah has successfully managed productions, collaborated with clients, and built a reputation for professionalism and creativity. His ability to problem-solve on set, lead camera teams, and stay ahead of industry trends makes him a sought-after DP in the field.

Passionate about innovation and pushing creative boundaries, Micah continues to refine his craft, always striving for the perfect shot that captivates and inspires

Juan C. Feijoo - Technical Director

Juan Carlos Feijoo is the tech wizard every film set needs. Originally from Colombia, he kicked off his career behind the camera at a major Colombian media outlet and has spent over twenty years mastering the art and science of production. Now based in Miami, he blends a background in technology with a passion for storytelling – if it plugs in or powers on, Juan can make it work. From cameras and lighting to editing software, he knows it all and keeps the crew running like a well-oiled machine. Juan’s resume spans continents and mediums: he’s an Emmy Award-winning creative director who’s worked with industry leaders and has even produced international films. On the set of Crazy Comedy (filmed in Jacksonville, FL),

Juan was the go-to guy for every technical challenge, ensuring every gadget, camera, and cable did its job so the cast and crew could focus on the laughs. Easygoing and always ready to lend a hand, Juan approaches each project with creativity, a can-do attitude, and a knack for problem-solving. Whether he’s fine-tuning the sound for a crucial scene or devising a clever workaround on the fly, Juan’s expertise and upbeat energy make him an MVP behind the scenes. He’s the friendly neighborhood tech genius making movie magic happen, one project at a time.

Trey Garrison - Lighting Director

Trey Garrison is a cinematographer known for his exceptional work on hit series like Revolution (2012), Red Stone (2021), and Queen of the South (2016). With years of experience in the Camera and Electrical Department, Trey’s talent shines through in every frame, bringing his deep understanding of lighting and visual storytelling to life. On the set of Crazy Comedy,

Trey single-handedly created all the light sources, expertly designing the lighting to match the film’s unique tone. Whether he’s working on high-intensity action or more subtle, intimate moments, Trey has a knack for creating visually stunning images that elevate every project. His experience across a wide range of genres has made him a go-to cinematographer for capturing the perfect look, no matter the story. Trey’s ability to control and manipulate light ensures that every shot has the emotional depth and clarity it needs, making him an invaluable asset to any production.

Siwoku Edwards - Director Audiography

Siwoku Edwards is a top-tier U.S.-based audio professional who’s earned a reputation for being incredibly fast, ultra-professional, and one of the best audio specialists in the country. As the Director of Audiography on Crazy Texas and Crazy Comedy, Siwoku makes sure every scene sounds just right – from the quietest whisper to the biggest boom. He’s the guy filmmakers call when they need world-class sound delivered lightning quick without sacrificing quality. With years of experience (he’s been crafting immersive soundscapes since 2019), Siwoku has worked on everything from indie thrillers to commercials. His past projects include the indie horror Autumn Road (2021) and the award-winning creature feature The Wild Man (2022), among others.

He even lent his talents to the inspirational sports drama The Long Game (2023), proving his range across genres. No matter the project, Siwoku’s speedy workflow and keen ear mean tight deadlines are never a problem – he’ll mix, edit, and polish the audio faster than you’d think possible, all while keeping a chill, can-do attitude on set. In short, when Siwoku is behind the sound board, directors and audiences alike can relax and enjoy the show. Fast, friendly, and freakishly good at what he does, Siwoku Edwards brings cinematic sound to life in a way few others can. He’s thrilled to help bring Crazy Texas and Crazy Comedy to your ears, making every moment sound as amazing as it looks.

Olivia Fortuny - Producer

Siwoku Edwards is a top-tier U.S.-based audio professional who’s earned a reputation for being incredibly fast, ultra-professional, and one of the best audio specialists in the country. As the Director of Audiography on Crazy Texas and Crazy Comedy, Siwoku makes sure every scene sounds just right – from the quietest whisper to the biggest boom. He’s the guy filmmakers call when they need world-class sound delivered lightning quick without sacrificing quality. With years of experience (he’s been crafting immersive soundscapes since 2019), Siwoku has worked on everything from indie thrillers to commercials. His past projects include the indie horror Autumn Road (2021) and the award-winning creature feature The Wild Man (2022), among others.

He even lent his talents to the inspirational sports drama The Long Game (2023), proving his range across genres. No matter the project, Siwoku’s speedy workflow and keen ear mean tight deadlines are never a problem – he’ll mix, edit, and polish the audio faster than you’d think possible, all while keeping a chill, can-do attitude on set. In short, when Siwoku is behind the sound board, directors and audiences alike can relax and enjoy the show. Fast, friendly, and freakishly good at what he does, Siwoku Edwards brings cinematic sound to life in a way few others can. He’s thrilled to help bring Crazy Texas and Crazy Comedy to your ears, making every moment sound as amazing as it looks.

Kenny Springer

Kenny Springer’s journey from tattoo studio to film set is as vibrant as the ink he’s known for. Based in Miami, Kenny first made his mark as a tattoo artist – even co-founding Iris Tattoo in the city’s artsy Wynwood district – where he spent years turning clients’ stories into living art. These days, he’s swapped the tattoo gun for a camera and a director’s chair, carving out a niche as an Assistant Director and up-and-coming filmmaker. Kenny brings the same creative flair and steady hand that he had in the tattoo world to his film projects, keeping productions running smoothly while infusing them with artistic vision. He has lent his talents behind the scenes on a variety of independent projects in South Florida, collaborating with teams to bring stories to life on screen. Now, Kenny is channeling his passion for storytelling and tattoo culture into his own documentary, fittingly titled “Crazy Tattoo.” Currently in the works, this project finds Kenny blending his two worlds – capturing the wild, colorful stories from the tattoo community through a filmmaker’s lens. The result is a casual, candid style that feels just like Kenny himself: creative, down-to-earth, and always ready to push boundaries. Whether he’s designing a sleeve or directing a scene, Kenny Springer thrives on storytelling without limits, making him a unique voice in both the tattoo and film industries.

Gio Locatelli - Sound Design

I started my career in Audio and Cinematography in 1984. I began interning at a Video Post studio in Mexico City, where I began learning how to edit video tape, film on a Moviola, and record, edit, and mix audio. Once it was time for college, I went on to study Radio, Television, and Film in the US, and minored with a Photography degree as well. During my time in college, I was producing soundtracks for independent TV producers, corporations, and for trade shows. After completing college, I moved to Dallas, Texas, where I began to work with many different companies doing field audio for shoots, sound designing for independent films, scoring for different shows, and mixing for ad agencies. As demand for my work increased, my studio business grew, and I have been doing this in Dallas since 1992. I have mixed countless commercials that have aired globally, for the World Cup, for the Super Bowl, and the Olympics. For large brands such as AT&T, Mercedes-Benz, Pepsi, Gatorade, Bud Light, Ford, McDonald’s, T-Mobile, and many others. I have sound designed and mixed multiple indie films and numerous episodic projects, and have been recognized with a few Clios, Addys, Radio Mercury’s and two Cannes Lions.

I have always enjoyed the journey of script to screen, from the angle of sound design and mix. I have always felt that this territory has so much space to create huge emotions. Blending space with music, effects, and dialog, those nuances can really move an audience in the direction that the script and the director intended. Sometimes the art of sound gets lost in the quest for more volume.

Brian Flores

Brian Flores is an award-winning composer and the Executive Creative Director of FRESH SQUEEZED Music.

With over 30 years in the industry, Brian brings a profound understanding of music's power, its connection to visuals, and its emotional impact. He collaborates with top composers, musicians, vocalists, DJs, and sound designers worldwide to infuse fresh creative energy into every project. Brian's portfolio includes composing original scores for indie films like Bad Kids Go to Hell and Three Days in August, as well as creating music for renowned brands such as Pepsi and AT&T.

His passion for music remains undiminished, describing his work as "the dopest job ever." Beyond composing, Brian oversees FRESH SQUEEZED’s extensive music library, “The Fridge,” offering thousands of customizable tracks designed to enhance any narrative.

Joe Waldrip - VFX Supervisor

Joe Waldrip is a Dallas, TX-based visual effects wizard who’s been making the impossible look real on screen for over 20 years. As the VFX lead on Crazy Texas, Joe has been having a blast bringing this psychological thriller’s wildest moments to life. He honed his craft at Dallas’s renowned charlieuniformtango studio, where he worked on everything from high-end commercials to indie films.

Over the years, Joe’s work has popped up in cult-favorite movies like Bad Kids Go to Hell and the Sundance hit Sister Aimee, so he’s no stranger to bringing unique stories to life through VFX. Despite his impressive resume, Joe is as down-to-earth as they come. He loves collaborating with directors to solve tricky visual challenges, bringing a blend of technical know-how and creative flair (plus a dash of Texas charm) to every project.

Joe is thrilled to help shape the world of Crazy Texas and can’t wait for audiences to see the mind-bending visuals he’s cooked up.

Matt McClain - Colorist

Meet Matt McClain, the Dallas-based colorist bringing Crazy Texas to life with his keen eye and top-tier expertise. As the founder of Thrive Colour – a boutique studio delivering Hollywood-caliber color grading in the heart of Texas – Matt has spent over 20 years honing his craft on everything from big-screen action flicks to indie dramas.

He’s worked on films like A Day to Die (starring Bruce Willis), the road-trip indie gem The Unknown Country (with Lily Gladstone), and the gritty adventure Boon (with Neal McDonough), along with commercials for brands like Toyota and Expedia.

Known for his friendly, collaborative style, Matt loves working with filmmakers to make sure every frame of the story shines. Whether it’s a holiday horror like Crazy Texas or a Hollywood blockbuster, he approaches each project with the same enthusiasm and attention to detail – keeping things colorful in the best way possible.

Keith Armstrong - Executive Producer

Keith Armstrong is an Executive Producer based in Dallas, TX, known for his deep expertise in post-production technology. A true technology master, Keith has a keen understanding of post-production equipment, hardware, and software, ensuring that every aspect of the production runs smoothly. He played a key role in both Crazy Texas and Crazy Comedy, bringing his technical expertise to these projects and making sure the post-production process was flawless.

Whether it’s optimizing workflows, managing hardware setups, or troubleshooting complex software issues, Keith’s contributions behind the scenes keep everything on track. His ability to manage technical challenges while maintaining a creative, collaborative atmosphere on set has made him an invaluable asset to any production. With years of experience in the film industry, Keith’s dedication to delivering top-quality work in every phase of production has made him a standout in the world of executive producers.